About Sunday Supper Club: Jason Eady & Courtney Patton
"There has always been pop music, but country music was always the avenue out of adolescence and into the grown up world with grown up issues like responsibilities and family. Someone's got to keep it alive, to preserve that kind of sound. That was our aim with this record."
Jason Eady's extensive background in "grown up issues" is what explains why the word "poet" is so frequently associated with his name. A six-year stint in the US Air Force as a translator placed him in a slew of foreign cultures giving him a universal look into the nature of human beings and a good jumping off point for his comprehensive lyrical translations. The Mississippi native and Texas transplant has spent the last seven years in an incubation period undergoing a musical metamorphosis that has led him through lonesome delta blues, inspirational church house harmonies, poetically spun tales of Americana and into the naked and honest regions of good ole' country music.
His three previous record releases have laid an impressive foundation starting with his 2005 debut FROM UNDERNEATH THE OLD (produced by Walt Wilkins and Tim Lorsch). That was followed by his 2007 sophomore release, WILD EYED SERENADE (produced by Eady), which was tagged as the Top 50 Albums of the Year by the No Depression reader's poll and reached #14 on the Americana Music Chart. WHEN THE MONEY'S ALL GONE (produced by Kevin Welch) is the last anyone has heard from Eady, until now.
AM COUNTRY HEAVEN, Eady's fourth record release, originated as a side project with friend (and producer) Kevin Welch. The plan was to lay down some old school authentic country music out of sheer self-indulgence and as a labor of love. As the recordings got underway more and more people appeared in the studio contributing their ideas and adding their personal touches until their side project evolved into what is the highly anticipated album everyone is talking about. Eady says, "I love that old school country music so much. There doesn't seem to be a whole lot of artists doing it these days. It's almost the opposite…like people are running away from it. I admit that this record is a drastic departure from anything I have done before, but this is where my heart is."
AM COUNTRY HEAVEN features Redd Volkaert on guitar, Earl Poole Ball on piano, Tom Lewis on drums and Kevin Smith on acoustic bass - all members of Austin's all-star team of country music players called Heybale. Combined, they have recorded and toured with artists such as Merle Haggard, Buck Owens, Johnny Cash, Junior Brown, Dale Watson, Connie Smith and Johnny Bush. They're responsible for the southern swagger on this album's tunes like "AM Country Heaven" and "I'll Sure Be Glad When I'm Wrong." Add legendary pedal steel player Lloyd Maines on the soulful "Longer Walk In The Rain" and "Lying To Myself" and a special vocal appearance from the incomparable Patty Loveless on "Man On A Mountain" and Eady's rich baritone timber, and what you have is a pure honky-tonk affair in the tradition of all the great troubadours that came before him.
In addition to his own albums, his talent for prose has been embraced by his peers landing him two cuts on Micky and The Motorcars' latest record RAISE MY GLASS, one cut on Eleven Hundred Springs' forthcoming record and two co-written cuts on The Trishas' forthcoming record. Eady also co-penned The Trishas' latest single "Drive." Although the radical departure that is AM COUNTRY HEAVEN is sure to strike fans like a storm without warning, it seems that Eady is merely living up to his reputation for the element of surprise as perfectly stated by USA Today who said, "This Mississippi native's blues-rocker creeps up like gathering thunderheads."
Singer/songwriter Courtney Patton has flown a little under the radar in recent years, far from a household name but a welcome discovery for listeners who’ve found their way to her sweet, soulful, and subtle approach to classic country music. Her first full-length record, "Triggering A Flood", was released in May 2013. Her expansive voice, laced with deep Texas twang but bearing the influence of favorite songwriters from the ‘70s folk-rock scene all the way through the present day, gives new life to old themes of finding love and freedom where you can and trying to hold yourself together when it slips away. She’s already a favorite of some of the scene’s brightest artists, having collaborated and played with the likes of Mike McClure, The Trishas, and new husband Jason Eady. With new material in the pipeline and a renewed interest in taking her music to a larger audience, she’s becoming not only a peer in talent but an indispensable part of the regional independent country music world herself.
"I suppose realism is what I look for in new music. I want to believe a new song. That happens when I hear Courtney's music. Her voice is rich and unique and that's something that's been a dormant quality in the "woman's world" of country music for a long, long time!" - Adam Hood
"Over the years I've watched CP grow into a singer/songwriter to be reckoned with. Top shelf." - Mike McClure
Jason Eady's extensive background in "grown up issues" is what explains why the word "poet" is so frequently associated with his name. A six-year stint in the US Air Force as a translator placed him in a slew of foreign cultures giving him a universal look into the nature of human beings and a good jumping off point for his comprehensive lyrical translations. The Mississippi native and Texas transplant has spent the last seven years in an incubation period undergoing a musical metamorphosis that has led him through lonesome delta blues, inspirational church house harmonies, poetically spun tales of Americana and into the naked and honest regions of good ole' country music.
His three previous record releases have laid an impressive foundation starting with his 2005 debut FROM UNDERNEATH THE OLD (produced by Walt Wilkins and Tim Lorsch). That was followed by his 2007 sophomore release, WILD EYED SERENADE (produced by Eady), which was tagged as the Top 50 Albums of the Year by the No Depression reader's poll and reached #14 on the Americana Music Chart. WHEN THE MONEY'S ALL GONE (produced by Kevin Welch) is the last anyone has heard from Eady, until now.
AM COUNTRY HEAVEN, Eady's fourth record release, originated as a side project with friend (and producer) Kevin Welch. The plan was to lay down some old school authentic country music out of sheer self-indulgence and as a labor of love. As the recordings got underway more and more people appeared in the studio contributing their ideas and adding their personal touches until their side project evolved into what is the highly anticipated album everyone is talking about. Eady says, "I love that old school country music so much. There doesn't seem to be a whole lot of artists doing it these days. It's almost the opposite…like people are running away from it. I admit that this record is a drastic departure from anything I have done before, but this is where my heart is."
AM COUNTRY HEAVEN features Redd Volkaert on guitar, Earl Poole Ball on piano, Tom Lewis on drums and Kevin Smith on acoustic bass - all members of Austin's all-star team of country music players called Heybale. Combined, they have recorded and toured with artists such as Merle Haggard, Buck Owens, Johnny Cash, Junior Brown, Dale Watson, Connie Smith and Johnny Bush. They're responsible for the southern swagger on this album's tunes like "AM Country Heaven" and "I'll Sure Be Glad When I'm Wrong." Add legendary pedal steel player Lloyd Maines on the soulful "Longer Walk In The Rain" and "Lying To Myself" and a special vocal appearance from the incomparable Patty Loveless on "Man On A Mountain" and Eady's rich baritone timber, and what you have is a pure honky-tonk affair in the tradition of all the great troubadours that came before him.
In addition to his own albums, his talent for prose has been embraced by his peers landing him two cuts on Micky and The Motorcars' latest record RAISE MY GLASS, one cut on Eleven Hundred Springs' forthcoming record and two co-written cuts on The Trishas' forthcoming record. Eady also co-penned The Trishas' latest single "Drive." Although the radical departure that is AM COUNTRY HEAVEN is sure to strike fans like a storm without warning, it seems that Eady is merely living up to his reputation for the element of surprise as perfectly stated by USA Today who said, "This Mississippi native's blues-rocker creeps up like gathering thunderheads."
Singer/songwriter Courtney Patton has flown a little under the radar in recent years, far from a household name but a welcome discovery for listeners who’ve found their way to her sweet, soulful, and subtle approach to classic country music. Her first full-length record, "Triggering A Flood", was released in May 2013. Her expansive voice, laced with deep Texas twang but bearing the influence of favorite songwriters from the ‘70s folk-rock scene all the way through the present day, gives new life to old themes of finding love and freedom where you can and trying to hold yourself together when it slips away. She’s already a favorite of some of the scene’s brightest artists, having collaborated and played with the likes of Mike McClure, The Trishas, and new husband Jason Eady. With new material in the pipeline and a renewed interest in taking her music to a larger audience, she’s becoming not only a peer in talent but an indispensable part of the regional independent country music world herself.
"I suppose realism is what I look for in new music. I want to believe a new song. That happens when I hear Courtney's music. Her voice is rich and unique and that's something that's been a dormant quality in the "woman's world" of country music for a long, long time!" - Adam Hood
"Over the years I've watched CP grow into a singer/songwriter to be reckoned with. Top shelf." - Mike McClure
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